andy
warhol |
"...Famous
for fifteen minutes..." Andy
Warhol.
Andy Warhol was born in Pittsburgh
to Czechoslovakian immigrant parents.
He studied painting and design at
the Carnegie Institute of Technology,
Pittsburgh before settling in New
York in 1950. He achieved enormous
success as a commercial artist, specialising
in shoe advertisements, winning the
prestigious Art Directors' Club Medal
twice in1952 and 1957.
In 1960 Warhol began to replicate
a range of mass-produced images, beginning
with newspaper advertisements and
comic strips before turning to packaging,
dollar bills and more. He is probably
the most famous member of the Pop
Art movement. Virtually any image
that was in the public domain was
a prime target for the Warhol treatment.
In 1962 he had his first one-man show
at the Ferus Gallery in Los Angeles
and in the same year exhibited at
the Stable Gallery in New York. This
was the year of '32 Campbell's Soup
Cans' (1961-1962). Soon after his
sculptures of Brillo soap pad boxes,
Coca-Cola bottles and replications
of popular icons such as Elvis Presley,
Elizabeth Taylor and most famously
Marilyn Monroe were to appear and
secure his reputation. The silk-screen
process he favoured allowed for infinite
replication, and he was opposed to
the concept of a work of art as a
piece of craftsmanship executed purely
for the connoisseur; in Warhol's own
words, "I want everybody to think
alike. I think everybody should be
a machine."
Thus Warhol's work was intent on dehumanising
his subjects whether they be images
purloined from mass-culture or depictions
of atrocities such as car crashes.
He turned out his works/products like
a manufacturer, going as far as naming
his studio 'The Factory'. As well
as paintings, he published the long-running
celebrity magazine 'Interview', managed
the rock group 'The Velvet Underground'
and achieved great notoriety as an
underground filmmaker with lengthy
films such as 'Sleep' (1963) and 'Empire'
(1964). In their silent and almost
completely static images Warhol raised
monotony to new heights, as he said
at the time, "I like boring things".
Andy Warhol has become one of the
icons of the 20th Century, putting
as much effort into publicising himself
as promoting his work. He was finely
tuned to the tedium of modern mass-culture,
conveying and indeed revelling in
the banality of the images proliferating
around him. His stance was on the
one hand distant and voyeuristic and
on the other totally immersed in the
culture of spectacle. He was able
to both comment upon and completely
embrace the materialism of the Sixties.
Bernard Levin sums up the essence
of Andy Warhol perfectly, "[He
was a} one-man demonstration of the
triumph of publicity over art."
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